See you in London!


With only a few weeks to go, we are very excited!


Wednesday 12th and Thursday 13th June 2019

Derek Jarman Lab at CAPA

146 Cromwell Rd, Kensington, London SW7 4EF


Supported by the Arts University Bournemouth, The Society for Animation Studies, The Derek Jarman Lab, The British Association of Film, Television and Screen Studies, and CAPA – The Global Education Network, we are looking forward to meeting you in London!

During the two days, we will cover several aspects of what intersectionality means, how it is manifested in animation film, and how artists process identity, politics, and history through its filter. Among the delegates, we have the pleasure to host papers by several international scholars. We are happy to announce that our keynote speaker is  Annabelle Honess Roe,  and we will give the change to the public to see the installation of Andy Holden.



CAPALogo_GEN-Horizontal  Arts_University_Bournemouth_logo  Lab    Logo_society_for_animation_studies   BAFTSS








The Conference will be held on Wednesday 12th and Thursday 13th June 2019

at the Derek Jarman Lab, London – CAPA

146 Cromwell Rd, Kensington, London SW7 4EF

Submission deadline:  20 APRIL 2019

The Accepted Papers will be Considered for Publication in the Collection on the Essay Film and Animation that will Follow the Event.


We are thrilled to welcome our fantastic Keynote Speaker!!

Dr Annabelle Honess Roe

Bella Honess Roe-1948

Dr Annabelle Honess Roe, author of the acclaimed Animated Documentary (Palgrave, 2013) and Programme Director for Film Studies at the University of Surrey. Bella’s Blog


Animation has been used in film form for its ability to illustrate, clarify, intensify, and focus the expression of feelings, emotions, processes, situations. In socially engaged films, animation supports and opens the debate of complex realities, which can be external or internal, like in I was the Child of Holocaust Survivors (Fleming, 2006), An Eyeful of Sound (Moore, 2010), Waltz with Bashir (Folman, 2008), and Tower(Maitland, 2012).

Paul Arthur notes “[g]alvanized by the intersection of personal, subjective and social history, the essay [film] has emerged as the leading nonfiction form for both intellectual and artistic innovation” (2003, p. 58). In this sense, essay films are hybrid, cross boundaries and often challenge our preconceptions of how to engage an audience. Essay films are also placed in a vital dialogue with how we understand the broader categories of ‘nonfiction’, ‘fiction’ and ‘documentary’, especially in relation to deeply individual stories that might nevertheless resonate across social categories like class, race, gender and sexuality.

The conference wishes to develop these dialogues in specific relation to how the animated form mobilises or challenges ideas of the essay film. We, therefore, encourage submissions that engage with how animation represents complex and intersecting social issues and power relations. Major axes of social division in a given society at a given time operate not “as discrete and mutually exclusive entities, but build on each other and work together” (Collings and Bilge, 2016, p. 4). It is very challenging to convincingly visualise and configure these phenomena and how they intersect. But animation seems perfectly placed to rise to this challenge, due to its hybrid, metamorphic and pervasive tendencies.

This conference invites practitioners and scholars to focus on the relationship between the essay film form and animation, and to look at animation as a set of communicative techniques which give voice to resistance to social discrimination and inequality, and more effectively address a range of human issues in all their complexity. Looking at the intersectionality of race, class, gender and ethnicity, as part of our engagement in the understanding of diversity in contemporary societies and historically, we aim to highlight the importance of the animated essay form to communicate these messages, and to ask questions.

London, as the location of the conference, emphasises the historical relevance of this major city in the debate on diversity, social cohesion and intersectional discrimination. The London conference is scheduled just before the Society for Animation Studies 31st Annual Conference (to be held in Lisbon, Portugal, 17-21 June 2019). This enhances the cultural reach of the SAS, and the debating of animation in the contemporary context, with opportunities for conversations begun at the London event to continue in Lisbon, as delegates travel there.

We welcome submissions on any topic related to the relationships between Animation, Essay Film and Intersectionality. Suggested areas (not an exclusive list):

  • Formal definitions of the animated essay film
  • Notions of intersectionality in animation: representing complex and overlapping social power structures
  • Animated documentary/nonfiction/essay film
  • Representations of social class, gender, race, ethnicity
  • Debates about animation and identity politics
  • Pervasive animation/personal stories?
  • Examining social complexity through individual essayistic approaches to animated form
  • Questions of the animator as a witness, participant, or onlooker to the event they depict
  • The notion of ‘Personal Camera’, the ‘diary’ and ‘first-person filmmaking’ and how they are manifested in animation
  • The use of animated landscapes in the essay film

We are looking forward to reading your work and meeting you in London.

Submission deadline:  20 APRIL 2019

Please e-mail abstracts (250-300 words) plus author bios (100 words per author) to

The organisers: Professor Paul Ward, Dr Romana Turina and Dr Bartek Dziadosz